Tag Archives: Composing

Guitar players! Check out my summer workshop…

I will be offering a 4-day acoustic guitar workshop this coming July at my home in beautiful southwest Scotland. If you are a guitar player interested in learning my integrated percussive approach, this will be a thorough, in-depth opportunity to … Continue reading

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The 20th anniversary of my instructional video

This year marks the 20th anniversary of the release of my 1994 instructional video, The Guitar of Preston Reed: Expanding the Realm of Acoustic Playing on Homespun Tapes. (I can’t believe it’s been twenty years!) In the late 1980’s I … Continue reading

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The value of identifying your values

I was asked a few months ago by Pat Strother of Strother Communications to name my three core values as an artist, musician and composer. He was looking for a three-word distillation of the guiding principles that motivate me to … Continue reading

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What is practicing?

I am often asked how I practice, what I practice, and how much time I spend practicing guitar. I always feel like answering: I don’t :^) This is not true of course. But what is true is, the practicing I … Continue reading

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Moving forward requires making decisions

I am writing a tune at the moment. I have reached a point in the development of this tune where a decision must be made about what the tune is, what it is saying, and where it is going. I … Continue reading

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The groove cloud

While teaching a guitar workshop this past weekend, I was reminded of a key factor in the performance of music: the connection between groove and memory. In order to teach “Tractor Pull”, one of my busier tunes, it was necessary … Continue reading

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Compositions can evolve technically

While checking the accuracy of a transcription of one of my tunes today, I ran into a familiar problem: I now play the tune slightly differently than I did when I first wrote and recorded it. In order to avoid … Continue reading

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Look for something surprising that works…

Wednesday, 16 June 2010 When writing music you don’t always want to do what either you or the listener expects to hear next. Your composition may be carefully worked out according to a plan, but you never want it to … Continue reading

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